![]() ![]() ![]() Which raises the question, was “Look What You Made Me Do” designed to stink? Was that the point? And lyrically, the song functions, perhaps at best, as an ironic commentary on cultural capitalism: We wanted more from her when there was no more to give, only a saturated market left to collapse. “Look What You Made Me Do” is Madonna’s cone bra, Britney’s “If You Seek Amy”, and Miley’s twerking, all rolled into one desperate attempt to shock an increasingly inured audience. ![]() With “Look What You Made Me Do”, the album’s first single, Swift tries a second heel-turn, and the song’s video even returns to the Biblical Eden imagery, only now she isn’t Eve she’s the serpent. But, even forgiving the millstones of expectation, Reputation, Swift’s sixth studio album, is a bloated, moving disaster. Like so many American stories, Swift had nowhere to go but down. This all goes to say that Taylor Swift the Cultural Question resolved itself on 1989. Hell, “New Romantics” wasn’t even on the album, and it eventually found its way to a single release - yes, her B-sides were also hits. Even committed Taylor Haters couldn’t deny 1989’s dominance and quality - or its seven bankable singles. We were in her house, and it was her apple into which she bit gleefully. In the video for “Blank Space”, Swift transformed into a mixture of Biblical Eve and Shiva, Destroyer of Worlds. On 1989, she became a pop mobster, a delightful heel turn that couldn’t be denied. With the arrival of 1989, her fifth studio album, critical darling, and commercial monument, Swift ceased to divide. If there was a sound to Swift’s music, it was the same sound repealing the Estate Tax makes. #Taylor swift reputation abum fullLooking like a lab experiment for Eurocentric beauty, toting a bank account full of platinum records and a panoply of celebrity friends, if Swift couldn’t seem to find love, and she wrote about this problem often, rooting for Taylor Swift the Cultural Question to find happiness was a bit like rooting for the house in blackjack. It was a bizarre moment of self-consciousness - Swift playing both “the cheer captain” and the girl “on the bleachers.” Taylor Swift the Cultural Question was once the sympathetic, jilted lover and the blonde, loathsome, normative overdog. In the video, Swift plays the role of the popular-but-undeserving cheerleader and the role of the nerdy indoor-kid, who takes off her glasses at the end to kiss her love interest. Taylor Swift’s career as a Cultural Question begins with her video for “You Belong with Me”. ![]()
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